No one asked but I think the secret to making the enemies-to-lovers trip work is respect. They can loath each other, but they have to loath each other as equals. Like “sorry but no one else is allowed to murder this man but me” + “it’s an honor and privilege to despise you.”
i will ALWAYS clap my hands excitedly and lean forward in my seat when someone tells a character to “keep your dog on a leash” only for it to turn out they’re referring to another person
the way it reframes the entire relationship dynamic between the two people being addressed. the way wilful loyalty becomes hopeless devotion. the way aggression and violence goes from honorable and rational to bestial and instinctual. the ways faith and trust intersect with codependency and reliance. the questions about power and who wields it in the relationship it opens up. the way it functions as both an insult and an expression of intimidation, of fearful submission.
There was a group of angels at the bar tonight. Super intense vibe, but they kept to themselves and didn’t disturb the other patrons, except for one point when they all suddenly burst into cheers and ordered a round for the bar. I asked what they were celebrating. They told me that for a split second all of the air molecules bounced petfectly into one corner of the room. It’s like their version of the dvd screensaver.
tshirt that says SOMETIMES WHEN A CHARACTER’S ACTIONS DON’T MATCH THEIR WORDS IT ISN’T BAD WRITING IT’S A NUANCE THE AUDIENCE IS RESPONSIBLE FOR PICKING UP ON
